暂无英文版的简介，请添加内容帮助我们完善数据库。

A rare behind-the-scenes glimpse into the life of Tibet's revered leader, the Dalai Lama.

This 1958 filmed version of Verdi's masterful Otello stars Mario Del Monaco, perhaps the greatest Otello of the 21st century, as the tragic moor who is consumed by jealousy thanks to the machinations of the villainous Jago.

Herbert von Karajan directed this film of Verdi’s Shakespearan masterpiece as well as conducting the Berlin Philharmonic. As the tragic Moor of Venice, arguably his greatest role, John Vickers (in the words of critic David Cairns) "commands both the notes and the moral grandeur of the part. … And he has the aura of greatness – greatness of heart, of bearing, of musical and dramatic conception". Mirella Freni is a heartbreakingly lovely and fragile Desdemona, while the fine English baritone Peter Glossop plays the villainous Jago.

Verdi's 'Otello', based on Shakespeare's famous tragedy, is performed at the famous Arena of Verona, with Kiri Te Kanawa and Vladimir Atlantov heading an international cast.

Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?"

In the imposing Wiener Staatsoper, experience the intense tragedy of Otello, played by Jonas Kaufmann, where jealousy and intrigue unleash a spiral of destruction. From the sublime performance of General Otello to the machinations of the evil Iago, this Verdi opera immerses you in a world of unleashed passions and deadly betrayals.

José Cura sings and acts here with an inwardness and intensity which make a profound impression. So does Krassimira Stoyanova as Desdemona, not in the first flush of youth, but heartfelt and direct; while Lado Ataneli's Jago is a brilliantly understated study in jovial malevolence. With strong conducting from Antoni Ros-Marbà, the whole cast collaborate to give us the truth of this desperately upsetting work, as no other DVD and few live performances I've seen of it ever have.